The Shakuhachi: A Manual for Learning now available on Amazon Kindle

The e-book version of The Shakuhachi, A Manual for Learning, one of the first comprehensive English-language shakuhachi instruction books, is now available on Amazon Kindle at the significantly reduced price of $9.99. Originally published in 1986 by Ongaku no Tomo-sha, Japan’s leading music press, The Shakuhachi has undergone numerous editions and helped many beginner and intermediate players learn more about the instrument and how to play it. This book covers all the basic aspects of learning the shakuhachi, beginning with a chapter on bamboo and shakuhachi making, how to handle the instrument, tone production, as well as basic fingering and Kinko style ornamentation techniques. Also included in the book are a series of graduated shakuhachi practice exercises, from simple tunes to some of the lofty classical sankyoku pieces. These exercises, along with recorded examples, are also available for free download. 

You can view the Amazon site here.




この度、私は80・90年代に録音・リリースした二つのアルバムをApple, Amazon, Spotify, I-tunesなどのストリーミング・サービスでの再リリースをお知らせいたします。

迦楼羅の夜 (Night of the Garuda) は若き自分の初アルバムでしたが、収録に当たって素晴らしい共演者に恵まれました。収録曲は、以下の通りです(再版にあたって、同じ頃レコーディングした別のアルバムに収録した一曲も加えました。)

1.「迦楼羅の夜」尺八+龍笛(芝 祐靖)


3.「アチットランの歌」尺八+声(きむら みか)





禅問答 (Zen Reveries)―尺八とシンセサイザー。このアルバムは1996年Moonbridgeというインディーラベルより発売されました。矛盾すると思える2つの楽器、尺八とシンセサイザーが、新しい真実の世界を創造しています。それは東洋と西洋、メロディーとハーモニー、そして古代と現代が調和するまさに幻想の世界と言えましょう。シンセサイザー奏者は日本電子音楽世界の先駆者の一人、上原和夫です。



My vintage CDs uploaded to CD Baby Pro

I just released two albums! OK, well, they actually were released years ago, but I just got around to registering them on CD Baby Pro, who makes them available on all the various streaming platforms. The album are Night of the Garuda and Zen Reveries
The Night of the Garuda (1986) features such stellar musicians as master ryūteki (gagaku flute) performer Shiba Sukeyasu, shō player Miyata Mayumi, vocalist Kimula Mika, legendary shamisen player the Hirai Sumiko and the oud master Hamsa el Din. The tracks consist of:

⦿ Night of the Garuda—improvisation with shakuhachi and ryūteki.
⦿ Tsuki, for shakuhachi and shō (composed by Massumoto Kikuko)
Song of Atitlan–for shakuhachi and voice.
⦿ Hifumi Hachigaeshi–Kinko-ryū shakuhachi honkyoku.
⦿ Mama no Kawa–Jiuta: song, shamisen and shakuhachi.
⦿ In the Shadow of the Rose—Improvisation for shakuhachi and oud (this piece originally appeared on the CD Voices from Afar, Voices from Within).

The list of accompanists includes some of the most amazing musicians active in Japan at the time. Some are no longer with us, so I take this opportunity to share their music once more. Check out the following site for purchasing or sample listening.


Zen Reveries (1996), a collaboration between shakuhachi and synthesizer, was originally produced by Moonbridge, a small indie label, and was one of the first such collaborations between these two totally different instruments. The synthesizer is performed by the Japanese electronic music pioneer Uehara Kazuo, and through his delicate harmonies and melodies the insistent voice of the shakuhachi weaves in an out, responding to the vast array of warm, complex timbres created by the synthesizer. The result is the best of both the electronic and the acoustic. Please check it out on the following website:

The Single Tone now available as an Ebook on Amazon Kindle

Since it has been long out of print, I have reformatted “The Single Tone—A Personal Journey into Shakuhachi Music” into an e-book format, and it is now offered on Amazon for Kindle, I-Pads, I-Phones and other electronic devices. It is also available on Apple E-books.

The Single Tone” is both an autobiography and a guidebook: a coming of age story woven into a study of Japanese music, told by an expatriate American in Japan, where I lived from 1972 until 2016, studying, performing and teaching shakuhachi and Japanese music. 

I wrote the original Japanese version to provide an outsider’s view of the Japanese society in a style and voice that would interest the average Japanese reader. It must have struck a chord with its intended audience, because it was awarded the prestigious Ren’nyo Award for non-fiction and published by Kawade Shobō Publishers in Spring, 2000, selling out soon after publication. The English version, first published in 2005,  is a close translation of the Japanese, with some minor additions and clarifications of circumstances, situations and cultural contexts that might not be apparent to the non-Japanese reader. In the brand new E-book version, I have have added a few more photos and exchanged most of the black and white photos of the print version with color photos. The cost is $9.99. (By the way, someone is selling used copies of the print edition on Amazon for over $50, so make sure you access the Kindle version page.) You can order directly from Amazon here. Or Apple Books here.

Some of the comments for The Single Tone

“Shakuhachi music is honest, profound and beautiful. Blasdel has the passion and spirit that embodies these characteristics and is a pioneer who faces both the Japanese and world community in order to invite others to participate in this extraordinary music.” 
Yokoyama Katsuya, shakuhachi performer (1934-2010)

“Blasdel’s insights are a goldmine for culture studies and ethnomusicology scholars considering cross-cultural interaction and learning.”
Dr. Ricardo D. Trimillos, Professor Emeritus (Ethnomusicology), the University of Hawai’i

 “In The Single Tone, Blasdel explores the contradictions inherent in the study of traditional Japanese music by an outsider. He demonstrates that humanity supersedes even the strongest cultural barriers when philosophy and love of music are the guides.” 
Brian Ritchie, bassist for Violent Femmes, shakuhachi performer 

“Blasdel’s love and passion for the shakuhachi permeate the work, but the most interesting thing about the book are his observations on the Japanese culture.” 
The Asahi Shimbun Newspaper, Tokyo





「アートプロデュースの冒険」 境新一 編者(著)
「この稿のテーマは『音』である。音と人間の関係について様々な側面から思い巡らしたことを、来日した時点から書いてみたかった。日本文化の中で培われてきた音について、日本の外から観つつ、音たちが日本文化の真髄をどのように表現しているのか、またはどのような日本音楽を織りなしてきたのか、 など考えてみた。私はこのテーマについて成城大学での3年間にわたる総合講座を振り返りな がら追ってみた。」
  • はじめに
  • 耳に掃除
  • 周りの風景を「耳」で体験する
  • 初めて出会った新鮮な日本街並みの音
  • 耳で旅するー「音」は文化の真髄
  • 邦楽との出会いー命のささやきのように聞こえた尺八
  • 5つの穴から多くの<「音色」
  • わずか3本の絃で微妙な音がー三味線の「触り」が命
  • 無駄を省いた表現を生む日本音楽の原点
  • 人間は大自然の音によって組み立てられた「歌」である




一(ひとつ)なるもの — 詩(うた)と歌と尺八

作曲:クリストファー 遙盟(尺八)と サーシャ・ボグダノヴィッチ(声&楽器)



<一(ひとつ)なるもの>(Striking Light, Striking Dark)は、サーシャ・ボグダノヴィッチとクリストファー遙盟が共作した初めてのCD アルバムだ。それぞれが詩を何篇か選んで、めいめいに曲をつけた。伴奏に、サーシャは自分が集めた世界の民俗楽器コレクションからエキゾチックな楽器を加え、クリストファーも音色の幅を拡げようと、何管もの違う尺八を携えてやって来た。


SLSD Cover使用する詩はここでごらんになれます(英語のみ)。

Tokyo Art Museum 3

Tokyo Art Museum 2

Tokyo Art Museum 1